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Exhibited at Mosman Regional Gallery
Part of “Sighting the whale” exhibition
hand made hibiscus paper, kozo paper, Jarrah frame and other things, 3 panels, 134 x 67 cm each
What inspired me to work on the subject of perfume is the non literal approach to the theme of the whale and perfume. By this I mean the extraordinary process of transformation from a sea creature to a sensorial art form, a botanical bouquet where the sea meets the land. Each paper jar is made from hibiscus fibre, a very evocative flower due to its shape and the tropical exoticism idea of its origins. In each jar there is an abstract representation of nature, a wearable scented garden, exotic, tropical and sensual. Each jar is a unique floral composition, an imaginary bouquet of imaginary flowers inspired by nature, like a palette of an artist, to compose a perfume. The 3 frames are made of Jarrah timber, a reminder of the perfume cabinet.
Photography by Jane Allen
Exhibited at Mosman Regional Gallery
Part of “Sighting the whale” exhibition
hand made hibiscus paper, kozo paper, Jarrah frame and other things, 3 panels, 134 x 67 cm each
What inspired me to work on the subject of perfume is the non literal approach to the theme of the whale and perfume. By this I mean the extraordinary process of transformation from a sea creature to a sensorial art form, a botanical bouquet where the sea meets the land. Each paper jar is made from hibiscus fibre, a very evocative flower due to its shape and the tropical exoticism idea of its origins. In each jar there is an abstract representation of nature, a wearable scented garden, exotic, tropical and sensual. Each jar is a unique floral composition, an imaginary bouquet of imaginary flowers inspired by nature, like a palette of an artist, to compose a perfume. The 3 frames are made of Jarrah timber, a reminder of the perfume cabinet.
Photography by Jane Allen